Tuesday, September 25, 2007
The story starts with a great twilight zone feel as Kirk finds himself all alone on the Enterprise. Is it a parallel universe, a temporal anomaly, some elaborate alien deception? (Of course, it turns out to be the latter.)
Spock's struggle to get permission to rescue the captain is also well played out. His intense loyalty to Kirk leads him to fight against the Federation, Starfleet, and the Gideon Prime Minister Hodin. The diplomatic sparring with Hodin is especially interesting to watch.
And what is the point of this elaborate alien deception? Why, the planet is horribly overpopulated because the inhabitants have become all but immortal, and they what to extract a deadly illness from Kirk's blood to thin out the herd. Unfortunately this premise - and the Gideons solution - suffer in part from a lack of plausibility, but much more so from a lack of explanation.
I have already commented at length on the idea that aging is not a biological necessity as it relates to the Drayan in the Voyager episode "Innocence." But like the episode "Innocence," it seems like too much time is spent on the build up to revealing the Big Secret, and not enough time is spent helping us believe this is actually happening.
There's also some internal inconsistency in that Hodin looks much older than his daughter Odona. But if these people don't age, then shouldn't they look to be about the same age? That would have made the revelation that Odona is his daughter genuinely surprising and would elevate the portrayal of these very human looking aliens to something truly alien.
And if this culture has the resources to create a flawless replica of the Enterprise, wouldn't they have the resources to . . . well, fill in the blank? For example, why haven't they expanded their population to other planets? Perhaps it is an idea that runs counter to their deeply ingrained culture of isolationism. But since we don't get to really understand their culture the answer to that question remains ambiguous.
I doubt the term "ecological footprint" had been coined when the episode first aired, but it is hard to accept the idea that a planet could support people shoulder to shoulder from sea to sea without suffering a complete ecological collapse of its life systems. Even if this is left unexplained it would be worthy of some throwaway line. McCoy says, "I wonder how a planet could even support so many people?"
In fact, I wonder if the episode could have been stronger had McCoy been the focus of the story. What if the Gideons had requested a Starfleet doctor to assist them with developing an inoculation against some deadly disease(s). McCoy arrives with equipment and medical samples, only to make the horrifying discovery that they are not inoculating people against a plague, they are try to create one. But are they murdering their own people, or are they are combating a cancerous growth problem? The ethical debate is on, and you can be sure that McCoy would have plenty of fiery things to say about it. (Of course the down side of this approach is we don't get to see Kirk running around with another space-babe-in-pajamas, but certainly we've seen enough of this already.)
Perhaps the episodes greatest weakness is that it simply never settles on any one concept to explore. There are some great concepts directly or indirectly brought up in this story: agelessness, overpopulation, euthanasia, what it really means to respect life, Kirk's readiness to advocate not only contraception, but government organized sterilization. There could be a great episode about any one of these issues, but in the end too much time is spent on the effectively eerie, but ultimately irrelevant puzzle of the duplicate Enterprise. (Where did they have room for such a huge structure anyways? Underground I suppose.)
Whatever the shortcomings, I will say this - the glimpse of Gideon's population outside the council chamber is a chilling portrayal of a future civilization gone wrong. In some strange way it reminds me of something out of the movie Logan's Run. These people in simple, one-color suits, pushing and shoving past each other in sickly green light - it's really very creepy, and very claustrophobic. It may not make sense under scrutiny, but it's an effective visual metaphor for the problem of extreme overpopulation.
And if we accept the premise for a moment, there is something striking about the question of whether Hodin is a heartless father who uses his daughter as a guinea pig in a lethal experiment, or a selfless father who lets his daughter choose to make the ultimate sacrifice for her people.
So somehow "The Mark of Gideon" manages to rise above it's own shortcomings to be a good story, and to suggest that with a couple more drafts there could even have been a truly great story here.
Friday, September 21, 2007
The article "Where Have all the Star Trek Sites Gone?" over at Ex Astris Scientia was exciting for me to read for the self-serving reason that Bernd Schneider says he is "fond of" reading my blog. I consider that a real compliment. And as I try to update my blog I see the truth of his further statement: " . . . a personal website . . . requires the webmaster to conceive a design and structure that is custom-tailored for the topic and the equally custom-created content." A third-party blog just doesn't allow the level of customization a "real website" needs.
For example, the new layout options also allows you to show an index of your labels, but it seems I've used too many different labels to make such a list practical. It's just too cumbersome at this point.
So will I ever create an actual custom website? We'll see. For now I lack the personal dedication, time, and mental energy to make one. Which is why I chose the blog route in the first place.
Wednesday, September 12, 2007
Index of "Lost in Translation" Articles
- Communication with Aliens in Star Trek (this page)
- Um . . . Disfluencies and Translation
- There Be Whales Here (Star Trek IV)
- They Sure Don't Sound Like Son'a to Me (Star Trek: Insurrection)
- Horta Hears a Who ("The Devil in the Dark")
- Star Trek XI
Also see an older post about translation in Star Trek:
The Universal Translator is a vital piece of technology in Star Trek. Without the Universal Translator we would probably never get to the stories themselves.
In his book, Aliens and Alien Societies, Stanley Schmidt writes:
Any time two independently evolved species come into contact, [a writer] must decide how, if at all, they’re going to learn to talk to each other…That’s likely to be a tedious process that the reader [or viewer] doesn’t care to spend much time on, so you may have to gloss over it…Science fiction writers have invented a number of more or less plausible ways to shortcut that awkward necessity. One of the most convenient is the translator, a “black box” or highly sophisticated computer that automatically translates one language into another.
So when we examine the Universal Translator (UT), we must remember that it is first and foremost a storytelling device that is “more or less plausible” (often less plausible) but necessary. Therefore, it would be unfair to subject it to rigorous scientific scrutiny.
At the same time, Star Trek is not written as pure fantasy. The UT is surely not supposed to be as whimsical as the Babel Fish of The Hitchhiker’s Guide to the Galaxy, for example. Rather it is presented as the extrapolation of real-world translation technology that we have today. So there is some room for peeking under the hood, for trying to understand how the UT works, and for expecting some broad level on consistency in how it works.
Additionally, as much as we may want to gloss over issues of translation for the sake of getting to the story, sometimes the process of establishing communication is the story, or at least it can add some texture to a story.
So I am introducing an ongoing examination of issues of communication and translation in the Star Trek universe: A brief look at how the UT works (or may work). Examples where plausibility has been stretched beyond belief. Examples where issues of communication (with or without the UT) were handled quite well, or added some depth to a story.